Thursday, January 19, 2012

Jae Hoon Lee in Aotearoa Baroque at MUCA Roma, Mexico City


Jae Hoon Lee's installation Tree Roots is part of El Barroco de Aotearoa at MUCA Roma, Mexico City. Co-curated by Richard Reddaway and MUCA Roma director Gonzalo Ortega, the exhibition runs to February 2012 (closing date yet to be announced).
Image: Installation view of Jae Hoon Lee's Tree Roots at MUCA Roma, Mexico City

Wednesday, January 18, 2012

Jae Hoon Lee on the frozen continent


Jae Hoon Lee is at Scott Base under the Antarctica New Zealand Arts Fellowship Programme. Each year Antarctica New Zealand invites artists to become honorary Arts Fellows and travel to the frozen continent to undertake specific projects that will help raise awareness of the scientific, aesthetic and wilderness values of Antarctica. Lee follows in the footsteps of Phil Dadson who was there in 2003, a visit that culminated in Polar Projects.
Image: Scott Base Antarctica

Like many other of the world's tallest buildings, Renzo Piano's Shard may herald a recession


Scheduled to open in June and bankrolled by Qatari wealth, Renzo Piano's Shard will be the tallest building in Europe. The 301-metre-high (1,017ft) building includes 27 floors of offices, three floors of restaurants, an 18-floor five-star Shangri-La hotel with a spa, and 10 palatial apartments, two of which span the entire floor - these are expected to become London homes for members of the Qatari royal family. A four-story public viewing area is being built starting on the 68th floor and the developer is considering renting out the very highest room on the 78th floor for high-powered conferences and political talks - summits at the summit.

The building has been a source of pride and symbol of confidence for Londoners, but they may think again in light of a new report that says rather than being a sign of growing prosperity, high rises, especially those spearheaded by the next 'world's tallest building', herald a recession. Barcalys Capital has examined the cases of 18 'world's tallest buildings' in the past 150 years and links them to recessions. The Empire State Building was completed in New York in 1931 as the Great Depression got underway, while the world's current tallest building - the 2,717ft, 163 story Burj Khalifa skyscraper was built in Dubai in 2010 as the emirate came close to economic meltdown.

As Andrew Lawrence, the author of the report explains, the pattern is typically the same. Buoyed by an economic boom and the availability of cheap credit, property developers are emboldened to take on increasingly ambitious skyscrapers. By the time they are finished a few years later, the world is generally a very different place - the economic bubble has is bursting, reality has hit, the banks are nursing their losses on their loans and credit is much harder to come by. But by then, the building is built, providing a potent symbol of the excesses of recent years.
Image: Renzo Piano's Shard by London Bridge

Tuesday, January 17, 2012

Art Los Angeles Contemporary teams up with Paddle8


Prompted by the arrival of the VIP, the world's first virtual art fair, partnerships between art fairs and online sites offering platforms for the viewing, curating and acquisition of art have been on the rise over the past 12 months. Art Los Angeles Contemporary (ALAC) is the latest fair to utilize the web through a partnership with Paddle8 that adds web-based exhibitor presentations and transactions to the mix, along with a fair preview. (You need to join Paddle8 to access the preview and online services.) Art Los Angeles Contemporary runs from 19 - 22 January and the online facility remains in place to 9 February.

Artist and art activist Michelangleo Pistoletto behind new prize for socially engaged art


Recently the Serpentine hosted an awards show for a new art prize conceived of by artist and art activist Michelangelo Pistoletto with the Fondazione Zegna for artists and collectives who aim to bring about responsible social change through their practices. Read more...
Image: Michelangelo Pistoletto with one of the winners of the first Visible prize, Anna Maria Milan (of the collective Helena Producciones) and co-organisers Andrea and Anna Zegna

Monday, January 16, 2012

Keith Haring mural: conservation v. repainting



Keith Haring's last surviving mural in Australia is at the centre of a conservation v. repainting debate. Arts Victoria is advocating conservation works including an investigation of the materials used by Haring, cleaning and "selective retouching", stabilisation and the application of a protective coating.

Others want to see the mural repainted saying it is in line with the artist's wishes. Director of the Keith Haring Foundation Julia Gruen says: it is more important that the work conveys Keith's ideals and respect for communities in which he worked, rather than to preserve a brushstroke." ACCA's artistic director, Julia Engberg agrees. "If we stabilise it now it would just be a vapid, dilapidated [piece] instead of a lively work."

Haring's Melbourne work is one of only 31 known murals across the world that have survived to this day.
Images: Keith Haring working on his Melbourne mural and a detail of the work showing the effect of time, neglect and the elements

This week at Starkwhite



This week we continue with Mariana Vassileva's exhibition The gentle brutality of simultaneity downstairs and works by represented artists upstairs.
Images: Mariana Vassileva, Globe (2011) and Jin Jiangbo, Hidden (2011)

Sunday, January 15, 2012

The new $2000 Swiss Army Knife


In addition to the requisite blade, scissors and nail file-screwdriver, the latest Swiss Army Knife has a new utility - a jump drive that can hold up to a terabyte of information, which is enough to hold 220 million pages of text or two continuous years of music.
Image: Victorinox's new SSD pocket-knife with thumb drive combo

Saturday, January 14, 2012

Chinese artists take first and second place on world auction market and Picasso drops from first to fourth place


Chinese artist Zhang Daqian has ousted Picasso to take the No.1 position on the world auction market. Artprice reports Zhang generated $506m in auction revenue in 2011 followed by compatriot Qi Baishi on $445.1m. Warhol took third place with auction sales of $324.8m followed by Picasso on $311.6m. Fifth slot was occupied by another Chinese artist, Xu Beihong who tallied $212.9m.

The change reflects China's growing strength in the global art market. Of the approximately 11 billion total works revenue for fine art last year, China's share was 39%, up from 33% the year before. Artprice said. The USA was in second place with 25%.
Image: Lotus and Mandarin ducks by Zhang Daqian which fetched HK191m ($24.5m) at Sotheby's in Hong Kong in May 2011

Friday, January 13, 2012

Mariana Vassileva exhibition installation views












Staged in association with DNA Berlin, Mariana Vassileva's exhibition The gentle brutality of simultaneity runs at Starkwhite to 31 January 2011.
Images: Mariana Vassileva, The gentle brutality of simultaneity, installation views, Starkwhite, 2012. Photos: Sam Hartnett

Thursday, January 12, 2012

Art Stage Singapore: putting the spotlight on collectors


Art Stage Singapore's opening showcased works by big name artists, from an installation by Turner prize winner Antony Gormley to a painting that took Rikrit Tiravanija 20 years to complete. Read more...
Image: Yayoi Kusama's Statue of Venus

The second edition of Art Stage Singapore starts today


This year's edition of Art Stage Singapore (12 - 15 January) includes a local platform curated by Eugene Tan. In a recent interview he talked about why Singapore art needs this push. Read more...

Tan was the curator of the Singapore pavilion at the 2005 Venice Biennale and co-curator of the inaugural Singapore Biennale in 2006. He is is former director of Singapore's Institute of Contemporary Art and in 2006 he curated Islanded: Contemporary Art from New Zealand, Singapore and Taiwan. Currently he is director of special projects at the Singapore Economic Development Board.
Image: Eugene Tan

Wednesday, January 11, 2012

VIP launches three new on-line art fairs


VIP has announced three new online fairs - VIP Photo, Paper and Vernissage - to take place later this year following the flagship VIP 2.0 fair which runs from 3 - 8 February. The new fairs will allow VIP to "showcase a wider range of works at a variety of price points" and "help the VIP brand solidify its position as the leader in online art sales," VIP CEO Lisa Kennedy said in a statement.

The new platforms have been financed by a $1m injection from a pair of art collectors: Brazilian Selmo Nissenbaum, partner in Personale Investimentos, and Australian Philip Keir, media and arts specialist and founder of NextMedia.

Given the technical glitches that dogged the inaugural edition of VIP the move to expand the franchise seems surprising, but co-founder Jane Cohan says one impetus for seeking backers was to allow them to re-architect their site and build a new tech team which includes internet retail specialist Kennedy and former artnet sales director Liz Parks. "The space for the contemporary art online is only just beginning to take shape," says Cohen. "The impetus to further develop the event, its capacity and its reach is ongoing."

Tuesday, January 10, 2012

The MONA effect


Launched in January 2011 by gambling millionaire and maverick David Walsh, Hobart's Museum of Old and New Art (MONA) is on Australia's art map and is credited with having spared Hobart from the worst of the tourism declined triggered by the global financial crisis. During its first year MONA attracted about 400,000 visitors and is the state's number one visitor attraction. It was named Tasmania's best new tourism development of 2011 and is in the running for the national tourism awards in March.

Transforming Hobart's image from a sleepy backwater to a cultural playground comes at a cost. The $80m museum costs about $15m a year to run, which prompted Wash to start charging interstate visitors (entry remains free for Tasmanians). However the real money is to come from the sale of technology, such as the "O", the super-smart, iPod-like device that in the absence of wall labels provides information about artworks when pointed at them, and tracks visitors movements in the gallery.
Image: MONA, Hobart

Monday, January 9, 2012

Mob museum to open in Los Vegas


A mob museum scheduled to open soon in Los Vegas will trace Hollywood's portrayal of mobsters from the birth of the silver screen. The museum is the brain child of former mob lawyer/Los Vegas mayor Oscar Goodman and has screenwriter Nicholas Pileggi amongst its advisors. Pileggi wrote the book Wise Guy and then adapted it into the Martin Scorsese film Goodfellas. The National Museum of Organised Crime and Law Enforcement opens in February in a former courthouse where a famous mob hearing was held in 1950.
Image: Marlo Brando as the Godfather

Saturday, January 7, 2012

Voina on why firebombing a police tank is a "piece of art"


Voina have stretched the boundaries of art and politics by using Molotov cocktails to light a tank-like police transport vehicle used to relocate prisoners, describing the act as "a gift to all political prisoners of Russia." Read more...
Image: A member of Voina firebombs a police carrier

Friday, January 6, 2012

9th Gwangju Biennale's theme is Roundtable


The team of six co-artistic directors appointed to organise the 9th Gwangju Biennale have announced the theme for their edition of the event. In a statement issued recently they say: "ROUNDTABLE allows us to reflect on our shared contemporaneity at a time when the tremendous momentum of ecological, political and economic change has radically transformed our global reality. The image of the round table is associated with political summit, where various urgent agendas are brought together and its participants convene to reach a renewal of understanding."

The six co-artistic directors are from Korea, China, Japan, Indonesia and Qatar. Nancy Adajania is a Bombay-based cultural theorist and independent curator. Wassan Al-Khudhairi is the director and chief curator at Mathaf: Arab Museum of Art, Dohan. Mami Kataoka is chief curator at the Mori Art Museum, Tokyo. Sunjung Kim is a Seoul-based independent curator and professor at Korea National University of Arts. Carol Yinghua Lu is an art critic and curator who works in Beijing and is also a contributing editor for Frieze. Alia Swastika is a curator, project manager and writer based in Jakarta.

The 9th Gwangju Biennale runs from 7 September - 11 November 2012.

Thursday, January 5, 2012

Starkwhite opening tonight


Mariana Vassileva's exhibition The gentle brutality of simultaneity opens tonight at 5pm. The artist and her Berlin gallerist, Johann Nowak, will be present at the opening
Image: Mariana Vassileva, My old friends 2011. Image courtesy of the artist and DNA, Berlin

Tuesday, January 3, 2012

Starkwhite opens on 5 January with an exhibition by Mariana Vassileva


We reopen the gallery this week with The gentle brutality of simultaneity, an exhibition by Berlin-based artist Mariana Vassileva. The exhibition opens on Thursday 5 January at 5pm.
Image: Mariana Vassileva, Will they be friends one day? 2011. Image courtesy of the artist and DNA, Berlin