Showing posts with label Ai Weiwei. Show all posts
Showing posts with label Ai Weiwei. Show all posts

Tuesday, September 30, 2014

Ai Weiwei at Blenheim Palace


Ai Weiwei has staged his latest exhibition at Blenheim Palace, the seat of the Dukes of Marlborough and the house where Winston Churchill was born. The Guardian's Jonathan Jones reflects on why Ai Weiwei would mount a survey of his work at a British stately home where visitors are more likely to come for the Capability Brown gardens or the tea shop, and perhaps not for conceptual art. Read more...
Image: Ai Weiwei's Han Dynasty vase with Coca Cola logo

Wednesday, December 4, 2013

Ai Weiwei takes on Alcatraz


Artist and political dissident Ai Weiwei is one of the most famous prisoners in recent history. The New York Times reports he is now taking on one of the most infamous prisons, using Alcatraz as the inspiration and site for a new series of works. Read more...
Image: the operating room at Alcatraz

Friday, April 5, 2013

Udo Kittelmann questions Ai Weiwei's inclusion in the lineup of artists for the German pavilion at Venice


Udo Kittelmann, director of the Nationalgalerie State Museums of Berlin, says the other artists chosen to represent Germany at this year's Venice Biennale will be overshadowed by Ai Weiwei, one of four artists selected by curator of the German pavilion Susanne Gaenshimer.

Kittelmann says: If one invites Ai Weiwei, the international media is a given, Ai is increasingly used by some art world figures to put their own politics in a populist way. The other artists could be overshadowed by his presence. It is my belief that one must make the playing field level."

Gaensheimer has responded saying: "The German pavilion is precisely about moving away from simple truisms and rankings and about questioning the assumption  that there are unambiguous levels and identities." Read more...
Image: Udo Kittelmann

Wednesday, March 13, 2013

Ai Weiwei to release heavy-metal rock album


Following his Gangnam-style video, Ai Weiwei has written 9 metal-tinged tracks for his recording debut, with music by rock musician Zuoxiao Zuzhou, a friend who was questioned during the artist's 2011 detention. Two of the tracks are devoted to the blind activist Chen Guangcheng and another track is titled Climbing over the Wall, a reference to China's great firewall.

Ai told reuters that the idea for the album came when he was held in detention. "All I could sing was Chinese People's Liberation Army songs," he said. "After that I thought when I'm out I'd like to do something related to music." He also says Elton John has been an inspiration for making his own album and that he is already at work on a second album that is closer to John's oeuvre.
Image: Ai Weiwei

Tuesday, January 29, 2013

The little black book of Weiwei-isms



Published by Princeton University Press, Ai Weiwei's little black book Weiwei-isms contains a collection of statements made by the artist in newspaper articles, twitter posts and media interviews, organised into six themes: freedom of expression; art and activism; government, power and making moral choices; digital world; history, historical moment and the future; and personal reflections. By referencing the format of the "Little Red Book", Ai Weiwei plays with this iconic piece of Chinese literature, encouraging action, thought and individuality. Read more...
Images: Ai Weiwei and his book Weiwei-isms edited by Larry Warsh, published by Princeton University Press

Wednesday, September 12, 2012

Ai Weiwei unimpressed by Hayward Gallery's exhibition Art of Change: New Directions from China


Ai Weiwei has dismissed the Hayward Gallery's exhibition Art of Change: New Directions from China, comparing it to "a restaurant in Chinatown. "It is simply a consumerist offering" he wrote in the Guardian, "providing little in the way of genuine experience of life in China today". "How can you have a show of Chinese Art that doesn't address a single one of the country's most pressing issues?" Read more...

Saturday, August 4, 2012

Alison Klayman talks about her Ai Weiwei documentary


Recently the Observer caught up with Alison Klayman, the filmmaker whose first documentary, Ai Weiwei:Never Sorry, is screening in festivals around the world. Read more...
Image: Filmmaker Alison Klayman with Ai Weiwei

Thursday, June 7, 2012

Ai Weiwei/Herzog & de Meuron pavilion opens at the Serpentine


Fours years after collaborating on the 'Bird's Nest' Olympic stadium in Beijing, the Swiss architects Herzog & de Meuron and Ai Weiwei reunited to design the 2012 Serpentine pavilion. It is the 12th in the series which began with Zaha Hadid in 2000 and has included giants such as Oscar Niemeyer, Alvaro Siza, Rem Koolhaas and Frank Gehry. You can see more images of the pavilion here.
Image: 12th Serpentine pavilion by Ai Weiwei and Herzog & de Meuron

Wednesday, March 7, 2012

Tate buys 10 tonnes of Ai Weiwei's sunflower seeds


The Tate has acquired 10 tonnes of Ai Weiwei's sunflower seeds - around one tenth of the 100 million seeds individually crafted by Chinese craft workers for his 2010 Tate Modern Turbine Hall installation. The artist has suggested that the seeds can be arranged either laid out as a square or a cone 5m in diameter and 1.5m high.
Image: Ai Weiwei in Sunflower Seeds (2010) at the Tate Modern's Turbine Hall,

Thursday, February 9, 2012

Herzog & de Meuron and Ai Weiwei commissioned to build the 2012 Serpentine pavilion


Fours years after collaborating on the 'Bird's Nest' Olympic stadium in Beijing, the Swiss architects Herzog & de Meuron and Ai Weiwei will reunite to design the next Serpentine pavilion. They plan to create a floating platform barely five feet off the ground, supported by 11 columns representing previous pavilions. The platform will collect rainwater on the surface, reflecting the moody London sky. The trio also plans to dig a few feet into the soil so visitors can walk beneath the roof.

The Herzog & de Meuron/Ai Weiwei pavilion will be the 12th in the series which began with Zaha Hadid in 2000 and has included giants such as Oscar Niemeyer, Alvaro Siza, Rem Koolhaas and Frank Gehry.
Image: Peter Zumthor's 2011 Serpentine Gallery pavilion

Tuesday, November 8, 2011

Donations pour in to Ai Weiwei


The New York Times reports that in the days since the Chinese government delivered a tax bill of $2.4m to Ai Weiwei, more than 20,000 people have together contributed at least $550,000. The artist said one businessman had offered him 1 million renminbi, but he turned it down saying he preferred to receive smaller sums. Others had folded 100-renminbi notes into airplanes and tossed them over the wall of his compound. Read more...

Monday, October 17, 2011

Melissa Chiu on Ai Weiwei and creative expression in China


Asia Society director Melissa Chiu reflects on the new parameters of creative expression in China as illustrated by the career of artist and activist Ai Weiwei. View video...

Wednesday, June 22, 2011

Asia Society presents Ai Weiwei's New York photography


Following the public opening of Ai Weiwei's Circle of Animal/Zodiac Heads at the Pulitzer Fountain, New York's Asia Society is set to open a large show of his photographic work, featuring 227 photos he took during his New York days. The exhibition runs from 29 June to 14 August 2011. Read more...
Image: Ai Weiwei's Dropping a Han Dynsaty Urn, 1995

Friday, May 27, 2011

Ai Weiwei's Marble Arm at ART HK


There is just one work by Ai Weiwei in the current edition of ART HK. Marble Arm can be viewed at the Galerie Urs Meile booth. The piece is on reserve, but the artistic director of Galerie Urs Meile has declined to reveal the buyer.
Image: Ai Weiwei's Marble Arm currently on display at the Galerie Urs Meile booth, ART HK 2011

Monday, May 9, 2011

Ai Weiwei's Zodiac sculpture unveiled in New York

Ai Weiwei's public art project Circle of Animals: Zodiac Heads has been unveiled at the foot of New York's Pulitzer Fountain. The work consists of 12 bronze animal heads representing different phases of the Chinese calendar installed in a semi-circle in the shallow, stepped pools of the fountain.

The bronzes are scaled up versions of heads that originally adorned a Chinese imperial the water-clock in the Garden of Perfect Brightness in Beijing, which was looted by Anglo-French forces during the second Opium War in the 1850s. The repatriation of the heads has become cultural priority and in 2009 the Chinese Government launched a PR offensive against Christie's when the auction house attempted to sell two of the imperial bronzes as part of its Yves St Laurent / Pierre Berge auction. Berge taunted that he would give the heads for free if China vowed to "observe human rights and give liberty to the Tibetan people and welcome the Dalai Lama." Eventually at the sale, Cai Mingchao, the Chinese bidder who offered $14m for each head, refused to pay for them and described his sabotage of the auction as a patriotic act.

In an interview with filmmaker Alison Klayman, Ai Weiwei said he was playing with the idea of real and fake, and of national symbolism. "It's a new interpretation", he said. "My work is always dealing with real or fake, authenticity, what value is, and how value relates to the current political and social understandings and misunderstandings."
Image: Ai Weiwei's Circle of Animals: Zodiac Heads (detail), Pulitzer Fountain, New York

Tuesday, April 12, 2011

Ai Weiwei: the latest developments


You can catch up with the latest Ai Weiwei developments here.
Image: a billboard near Ai Weiwei's Beijing studio

Saturday, April 9, 2011

Museums and artists call for the release of Ai Weiwei


The Tate, MOMA, the Guggenheim and other museums have joined art figures including the Gao Brothers and Cao Fei demanding that China release Ai Weiwei. Read more...

Thursday, February 11, 2010

Ai Weiwei on censorship


Ai Weiwei has spoken out in support of US internet giant Google in its standoff with Beijing. In a commentary in The Wall Street Journal the artist said Google had set an important example for the Chinese people by challenging state censorship at the risk of sacrificing its place in the world's largest online market. Last month Google threatened to abandon its Chinese search engine and possibly leave the country altogether over alleged China-based cyberattacks. The company also said it would no longer obey censorship rules.

You can read Ai Weiwei's commentary here.